Blogging a novel, and the 14 years in between
Photo credit: HarshLight Fourteen years is more than enough time to turn procrastination into a profession. And from the outside maybe that’s what it looks like I’ve been doing, at least when it comes...
View ArticleLiterary fashions: on writing historical fiction
Image credit: Jo Naylor In her excellent collection of essays, On Histories And Stories, AS Byatt quotes an interview with various British novelists about why they were writing historical novels....
View ArticleOn reading
Image credit: Dhalmel Ever since I learned how, I have read quite a lot. The childhood habit of reading for half an hour before sleep waned a little in my early twenties (when neither reading nor...
View ArticleHow my call centre job helped me get published
Image credit: The Poss I had my first novel accepted by Sleepers Publishing about three months ago, just after my twenty-seventh birthday. The age I do things doesn’t really matter to me that much, but...
View ArticleA messy kind of sense: Margo Lanagan’s Sea Hearts
Margo Lanagan’s Sea Hearts has been trailing me. It’s marked-up, Post-it noted, and dog-eared. I’ve scribbled notes about it. I’ve made a diagram. And still, there’s something gorgeously unresolved...
View ArticleOn winning literary prizes
Image credit: Fumihiro Toda One of the defining characteristics of life, whether it is the life of a crocus or the life of a capitalist, is competition. The flower that blooms is the winner in a series...
View ArticleA writing guide for the time poor
Image credit: Martin Cathrae One of the questions I’m most frequently asked when people find out I am a writer is ‘how do you find the time to write?’ It’s a reasonable question. I have a demanding...
View ArticleJust a number: The literary world’s obsession with age
I used to be obsessed about what age I would be when I had my first novel published. I’d go on the Wikipedia pages of every famous writer I could think of to check how old they were when their first...
View ArticleOn horses, Gillian Mears and Australian fiction
Speaking at the 2011 Melbourne Writers’ Festival, Gillian Mears spoke of the yearning she felt to once more be astride a horse. Mears, who is no longer able to horse ride due to advanced multiple...
View ArticleIn defence of creative writing courses
The first time I walked into a creative writing class at the University of Melbourne, I was fifteen years old. As part of the Work Experience program at my high school, Year Ten students were required...
View ArticleKindness and Failure: The journey of writing Heat and Light
The landscape of Heat and Light. Beaudesert, Queensland. Image courtesy of the author. The first of Heat and Light I wrote was the short story ‘S&J’ in December 2011. The story didn’t come from...
View ArticleA Murky Business: On being a writer
At what point does writing become a job? At what point do we shift from being a person who writes as a hobby, to one who writes as a professional? Is it when writing takes up a certain amount of our...
View ArticleThe Art of Influence: On writing The Flywheel
My book for young adults, The Flywheel, was published last month. It is the first book I’ve published, and it took me a fair amount of time spent alone in a quiet room to write. Now that it’s out in...
View ArticleSpark, flow, sigh: The erotics of body and mind
Photo: Eugène Durieu Recently, as we sat around having a few drinks after a book launch, the poet Jennifer Compton asked the question, ‘Do you find writing to be an erotic act?’. My instinctive answer...
View ArticleCate Kennedy on motherhood and creativity
Rachel Power interviews Cate Kennedy about her love for writing and her daughter, in this extract from her new book, Motherhood & Creativity. As someone who writes such piercing and sensitive...
View ArticleWhat Australian Literary Conversation?
Literary Australia can hold a sustained public conversation about as well as a Salvation Army band can play Wagner. I’m not referring to conversations held privately between peers, across coffee...
View Article‘You’re the least important person in the room’: Memoir and Bad Behaviour
I studied creative writing at university. I loved almost everything about the course: the teachers were inspiring, the readings insightful and provocative, and the workshops were a safe and temperate...
View ArticleA Bride Stripped Bare: A writer gets naked on the path from novel to memoir
Call me Eve. Of course it’s not my real name … But it’s the name I call myself when I think back to that time when I was a young wife – so very young, so very hungry – and I picked the fruit and ate...
View ArticleOn Journals: Private writing in the age of the overshare
Image by Barry Silver I often have an anxious feeling when I reread the very vain and pretentious passages of my adolescent notebooks. I wonder why I scrutinised my male high school crushes with...
View ArticleCold Feet and Hot Little Hands: Abigail Ulman on writing – and not writing –...
When my short story collection, Hot Little Hands, was half-written, I was fortunate enough to get a book deal for the finished product. At the time, I had six stories, and I only needed to write three...
View Article